Saturday, September 25, 2021

First Nations Version: An Indigenous Translation of the New Testament

 

A refreshing, thoughtful translation that helps readers see anew what can become overly familiar.

First Nations Version: An Indigenous Translation of the New Testament
Publisher: IVP
Pages: 481

Those who like to use different translations of the Scriptures, will want to consider getting First Nations Version: An Indigenous Translation of the New Testament. Since receiving it I have used it for the New Testament portions of my Bible reading plan. As of this date, it’s taken me through the book of Romans and 1 & 2 Corinthians. I do recommend it for reading as opposed to study. It’s beneficial to have a more literal translation available as a supplement for study purposes.

The text flows beautifully unlike some literal translations that lack it. The language is earthy; no difficult theological terms to decipher. It feels like I’m listening to a wise Native American storyteller who proclaims the Great Spirit and his ways in easy to understand terms.

Without resorting to technical analysis, which I will leave to someone more qualified, my impression is that the meaning is being accurately conveyed. This is not a literal translation, a word for word rendering. It’s closer to what is sometimes called dynamic equivalency, conveying thought for thought done in a style of language that may be familiar to many Native Americans. Again, it’s a little like an elder passing down the history and traditions of a sacred record.

One of the editorial decisions I appreciate is the choice to use the meaning of names when a name is mentioned. Jesus is Creator Sets Free. This is followed by the traditional rendering in parenthesis so that it’s clear who is being indicated. “Father of Many Nations (Abraham)” is an example. Paul is Small Man. He might see that designation as fitting, given that he considered himself the chief of sinners, even persecuting the “sacred family.”

In the Introduction the authors state that “at times reasonably implied statements were added within, above, and below the text…. These added statements are not intended to change the meaning of the text but rather to bring clarity” (xii). These additions are in italics.

Occasionally, as in First Corinthians 11, the editors insert a block of italicized test to provide background. The following example is in relation to a man praying or speaking for the Great Spirit with his head covered, thus bringing shame to his head.

This could be because, in the traditions of the tribes of Wrestles with Creator (Israel), some men would cover their heads and faces when they prayed, being ashamed of their broken ways. So covering their heads and faces would then be a sign of shame. The Chosen One has taken away all shame, so man should not cover their heads in shame when they pray.

Such is the wonder and beauty of the text that one can get immersed in the drama and might think First Nations people are being addressed when Tribal People are mentioned. When Small Man (Paul) speaks of the Tribal People he, of course, is referring to the tribes of Israel. People from Outside Nations are Gentiles, those not part of Israel.

A favorite passage for me and probably many others is the one where Small Man talks about Creator’s strength coming to the fore in our weakness. This is 2 Corinthians 12:9 in the First Nations Version:

“The gift of my great kindness will give you the strength you need,” our Honored Chief said to me. “For the greatness of my power comes to the ones who understand how weak they are.”
So then, I am glad to brag even more about how weak I am, so it can be clearly seen that the power resting on me comes from the Chosen One.
Included in the back is a fascinating glossary of terms. You find, for example, this explanation of why “sin” is translated “bad hearts and broken ways”:

For many of our Native people, the English word sin evokes the memories of boarding school, where “sin” was often the length of our hair, or speaking in our native language, or anything related to our cultures.

This is only the first line of the term but it’s striking in light of the recent discoveries of mass graves at former First Nations boarding schools.

This clear translation allows one to see the Scriptures in a different light. If you have any inclination, don’t hesitate to get what is truly honoring to First Nations people. It’s not just for them, as this will retain a special place in my Bible collection.




Sunday, September 12, 2021

Mixtape Vol. 1: Side A - Coby James

 

Warm and fun, “Golden” celebrates God’s love

Mixtape Vol. 1: Side A
Coby James
Label: Centricity Music
Length: 4 songs/14 minutes

On Mixtape Vol. 1: Side A Coby James opens with a fun and happy song. The playful feel to “Golden” is a mixture of expertly woven styles, predominantly R&B and pop. The captivating melody is punctuated by snappy sounds and sunny lyrics about God’s love. I feel better just hearing it. Horns at the end add to the magic.

“Castles” is more pop/rock. One of my favorite moments comes during a bridge that takes its thought from an old hymn:

You’re the rock
Where I stand
All other ground
Is sinking sand

It’s during this declaration that some loud, feedback-laden guitar is mixed in, which is strangely appealing.

Building apart from God is a castle made of sand that ultimately will wash away. Thus, the repeated refrain, “I’m gonna do what God says.”

“Simple” gets personal as the singer wrestles with the drawbacks of fame. Oswald Chambers, the author of My Utmost for His Highest, reckoned that aside from disobedience a refusal to be simple is a source of stumbling. Christians may identify with the longing for the simplicity found in early faith.

This release becomes more personal with each song, the closing “New Roots” being the most intimate of all, reflected in some of the softest moments. It starts with gentle strumming slowly building to a climax where it becomes more dynamic.

I like the reference to family and home in verse 2:

When I miss my mom, miss my dad
Miss my home and the wide open skies
In the mystery, the unseen
I know you will be, be my guide

A pre-chorus consisting of two short lines is beautifully sung in falsetto over a starry-sounding keyboard.

The maker of the stars
Is holding up my heart

It makes for a fitting end. The release begins with fun and ends in worship.

The cover image looks like an old record with ring wear. It shows a giant sunflower surrounded by a sunny, mountainous terrain. I wonder if Centricity will consider making this available on vinyl along with the companion releases?

Side A has a pop focus, Side B highlights acoustic guitar skills, and Side C explores a more experimental side.

This 19-year-old from a small town outside of Raleigh, NC considers himself a student of John Mayer. Guitar is his instrument of choice, which he uses to write and produce his own music.


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