Songs 4 Worship: Country Live - Various Artists

Country style adds reverence
Songs 4 Worship: Country Live
Various Artists
Label: Time Life (www.timelife.com)
Length: 15 tracks/71:49 minutes

Songs 4 Worship: Country Live follows Songs 4 Worship Country, a 2007 studio release that has been on Billboard’s Top Country album chart since its release. That recording features some of the same artists (and in some cases the same songs, except in this recording they are live) that you find here. Having the same song, even if performed by a different artist, is a bit of a drawback if you already have the studio recording. Another is the use of popular praise and worship songs that have become overly familiar to many. But before you write this recording off, know that these are just minor weaknesses to an album that is full of excellent performances.

Spotlighting some of the best praise and worship songs in a country light brings an added reverence that you don’t find on the pop versions. It’s like they are born anew to be the means of adoration for a new audience. The artists highlight the best aspects of already strong compositions, and some tracks are outside the standard fare.

What immediately comes to mind is “Revelation Song” by Susan Ashton. The press release accompanying this CD states that it has been at the top of the Christian radio charts for 13 weeks. Ashton was prominent in the Christian music scene before recording two country albums for Capitol, the second, for reasons unknown to her was never released. She has kept a low profile for several years, and I can only hope that we will hear more from her. This song is not only my favorite; it’s off the charts! I found myself caught-up with its great swelling tide of exaltation.

Another standout is “There is a Reason” by Alison Krause & Union Station. I like this one for different reasons. It does not address God directly. It is more of a thoughtful reflection on how difficulties bring us closer to God. It features some exquisite picking that includes a Dobro solo.

I enjoy the deep voices and harmonies of the Palmetto State Quartet on “Trading My Sorrows.” “How Can I Keep from Singing” by Lenny LeBlanc was a great choice for an opening song. It soars. Like Susan Ashton, this is another artist that seems to have crossed over to country music. LeBlanc is credited with songwriting on two other songs performed on this CD: “Above All” and “We All Bow Down.” The latter is performed movingly once again, as on the prior studio release, by Ricky Skaggs.

Collin Raye shows his versatility by performing the liveliest song, “Get Up in Jesus’ Name,” with gospel-like backing vocals, and then switching gears to perform the lovely “Indescribable,” written in part by Laura Story and made popular by Chris Tomlin.

Every performance is excellent. These songs were captured live at the historic Ryman Auditorium, with the exception of “Open the Eyes of my Heart” by Randy Travis, which comes from a previous recording. I think it’s wonderful that the Ryman, which originally was a church, became the venue for some of the brightest stars in country music casting their glory like crowns before the throne of God in humble adoration and worship. They do their best to recognize the holy and awesome Creator as the light that outshines all others.

Redefining Beautiful: What God sees when God sees You - Jenna Lucado with Max Lucado

Beauty as God defines it

Redefining Beautiful: What God sees when God sees You
Author: Jenna Lucado with Max Lucado
Publisher: Thomas Nelson
Pages: 221

In Redefining Beautiful Jenna Lucado writes in the same conversational mode that has made Max Lucado endearing to so many people. Max contributes throughout with excerpts and adaptations from previous writings, which serve to highlight his daughter’s thoughts.

Jenna is chattier than Max; girls and young women will find it easy to relate. She gets candid about beauty tips that deal more with identity than outward appearance. Jenna helps girls become all that God wants them to be, even if starts with something as unconventional as “embracing your weirdness.” It’s another way of saying, “Be yourself!”

Jenna is surprisingly transparent. She takes us not only into her inner psyche but the world of teenage girls. I found it fascinating. How often do you get to see life from the perspective of the opposite gender? Girls will find a friend and an advocate.

One subject that rightly gets a lot of attention is the influence of fathers. In introducing the topic she quotes Dr. Kevin Lehman, “The (most important) ingredient in any woman’s life is her relationship with her father.” She gives hope to those whose fathers have failed them, which leads me to a general observation about Max and now Jenna.

The Lucados make the gospel good news. They constantly remind us that God loves us unconditionally, no matter what. As Max writes, “God loves you just the way you are. If you think his love for you would be stronger if your faith were stronger, you are wrong. If you think his love would be deeper if your thoughts were deeper, wrong again. Don’t confuse God’s love with the love you get from people. Love from people often increases with performance and decreases with mistakes. Not so with God’s love. He loves you right where you are.”

But it does not stop there, as Jenna adds, “Being beautiful means overflowing in love for others. . . . God fills us with his love not only to show us how much he loves us but so that it will overflow to others.”

As Jenna writes of Joyce Meyer, who she uses as an example, change must sometimes begin with facing the truth about ourselves and our past. It may be as simple as realizing we need help. Jenna wants girls to give God the pen so that He can change the way their story is going. If they give Him their hearts, He can write a beautiful ending regardless of the ugliness of the past.

I was deeply impressed by the chapter on submitting to authority. Just the thought of it may seem distasteful, but as Jenna’s friend Hannah learned, it can mean “opportunity, wisdom, and triumph.” At first, Hannah would not obey her coaches. She disregarded what they told her, and as a result, did not attain the status she thought she deserved. After realizing her pride, her attitude toward authority changed. She trusted her coaches to achieve her goals. She realized that “attitudes and actions toward authority are a reflection of how we respond to the authority of God. I have learned that when we respect authority, some of that respect flows back to us from others. Good things come back—rewards!” Taking hold of this one truth can minimize the pain we go through from our own willfulness. It can also be the difference between success and failure.

This book is filled with practical principles that can change one’s outlook and life. Max and Jenna both have a way with words. They make the truth plain and simple. They are great encouragers in this journey of faith. You can’t go wrong by spending time with this book.

How Many Kings: Songs for Christmas - Downhere

Solid, mostly pop/rock Christmas offering

How Many Kings: Songs for Christmas
Artist: Downhere
Label: Centricity Music
Length: 13 tracks/44:40 minutes

How Many Kings by Downhere springs in part from the success of the title track, which originally appeared on their last recording, Ending is Beginning, as a bonus. The song, which had significant airplay on Christian radio, is included here in its original form and in a slightly re-imagined version at the end. Recording a Christmas album was also the natural outgrowth of being a part of the Bethlehem Skyline Tour with other Centricity artists. Catch the 2009 tour if you can.

Though the title song may be the favorite, there is much more to enjoy. Whether new or old, most songs are done in Downhere’s pop/rock style with acoustic sounds more in evidence. There are also some lovely musical interludes that reflect the wonder of the season.

As far as content goes, most songs contain substantive Christian reflections. The exceptions are “5 Golden Rings,” which only lasts long enough for you to hear those memorable words, and “We Wish You a Merry Christmas,” which has a down-home, Salvation Army band sound. These were thrown in for fun.

I have heard instrumental versions of “Good King Wenceslas” and “Bring a Torch, Isabella” but rarely, if ever, have I heard the lyrics as you do here. The former is a blues-flavored rumble and the later a favorite with its pleasant melody, vocal tradeoffs and mesmerizing guitar.

The two co-front men, guitarist Marc Martel and keyboardist Jason Germain, are both outstanding on vocals. The musicianship and production are excellent. I especially enjoy the chiming guitar work that provides the winsome hooks.

Another favorite is the upbeat “Christmas in Our Hearts,” which has a strong feel-good vibe. It’s punctuated by horns that are as clear as a cold winter’s morning. Chase the blues away with this song.

“Silent Night” is a beautiful, stripped-down affair with piano, vocals, strings and a little acoustic guitar at the end. “What Child is This” is in classical guitar mode with vocals that have a pristine quality.

Downhere has done an excellent job of fusing their style with the more familiar melodies. They add just the right amount of creativity, which makes this accessible to a wide audience. This is a great way not only to celebrate the birth of Christ, but ten years together and seven recordings, not counting their initial independent release.

Love and War - Barlow Girl

An urgent call to relationship and boldness

Love and War
Artist: BarlowGirl (http://www.barlowgirl.com/)
Label: Fervent Records
Length: 11 tracks/43:08 minutes

You can hear the urgency in BarlowGirl’s Love and War. The opening “Come Alive” starts with, “Wake up, get out, there’s no time to waste now. Never shut up, it’s our time to speak out.” On “Running Out of Time” (the title says it all), they declare, “This is war, so pick your side.”

This album does battle by boldly proclaiming truth, which serves to combat lies. As I listened, pockets of deceit were being stripped away, leaving a desire to be more aligned with God’s heart. Having a passion for God is a repeated theme on several songs.

The music is a perfect complement. Jarring rock accompanies the more warrior-like stances. Producer Otto Price (GRITS, dcTalk) adds innovative touches.

The group becomes more melodious and pop-oriented when they focus on relationship with God. “It’s all about being in love with the Lord, and about that relationship with Him. If we don't have that …, we can’t have the boldness,” says Becca Barlow.

“Beautiful Ending,” the first single, is a gorgeous piano-driven track about not losing our first love. It’s forward-looking, wondering about our future with God.

One of the most moving moments is found on “Tears Fall,” which deals with a tragedy in our society. For two and half years BarlowGirl has struggled with writing a song that articulates their pro-life stance. This lovely, stripped-down ballad avoids accusation and in the process becomes a song of confession and repentance. A gospel choir makes it even better.

The Beatles had “Good Day Sunshine” and now BarlowGirl ends on a high note with “Hello Sunshine.” It leaves us with the prayer, “Let my eyes see all the beauty.” It’s a fun, upbeat way to end their third studio release (not counting their Christmas project, Home for Christmas).

Everything Sad is Coming Untrue - Jason Gray

Gray has become one of my favorites.

Everything Sad is Coming Untrue
Artist: Jason Gray (www.jasongray.com)
Label: Centricity Music
Length: 13 tracks/49:12 minutes

Everything Sad is Coming Untrue by Jason Gray is the kind of recording that Rich Mullins might make if he were still alive today. People like Mullins, Andrew Peterson, Derek Webb, Randall Goodgame, Chris Rice and Jason Gray have something in common. They see things a little differently. They write in imaginative ways. Their words are sometimes quirky but that can be the setting for some revealing insight.

I am thankful that when we lose people like Mullins, or when other luminaries fade from view, it seems like God brings along others to carry on. Jason Gray is one who stands in that line of faithful witnesses. From my perspective, he has come out of nowhere to become one of my favorites.

“How I Ended up Here” is a fine example of what I find so endearing about him. It’s humorous, self-deprecating, honest and peculiar enough to make it stand out. How many are willing to say that they don’t like people at all? (I’m sure that he’s just expressing how some of us feel at times.) Who would admit that they fear someone talking their ear off, which is how they ended up hiding in front of a lobster tank?

On “The Golden Boy & the Prodigal,” like the two sides of a coin, Gray sings of the ideal self that we tend to project to others and our actual selves, which we tend to hide. Care to guess which one Jesus died for?

“Jesus, Use Me, I’m Yours” is a stripped-down, self-effacing (“I’m not much to look at”) song of surrender. As I listened while driving one day, my heart melted like wax. It was deep calling to deep with my spirit echoing his cry.

“I Am New,” a joyous celebration of all that we are in Christ, is a favorite. It contains a wealth of Scriptural affirmations and music that soars. Listen to this to bolster your spiritual identity.

“Fade with Our Voices” is right up there with the best in contemporary worship. It’s a reminder that worship is more than a song, it’s what we do with our lives. May our devotion not fade with our voices.

Just the title alone of “Everything Sad is Coming Untrue” is a winner. This is definitely in the spirit of Mullins with its poetic imagery of the reverse of the curse. The background calls and the captivating music that breaks in on the chorus are terrific. It even ends with a hammer dulcimer playing along.

Jason Gray makes a believer out of me. I am reminded as I listen to the title song that the effects of the curse—no matter how real and trying— are as nothing before God’s truth and faithfulness.

Sacred Singleness - Leslie Ludy

Letting God script your love story

Sacred Singleness: The Set-Apart Girl’s Guide to Purpose and Fulfillment
Author: Leslie Ludy (http://www.setapartgirl.com/)
Publisher: Harvest House Publishers
Pages: 184

This is one of the best books that I have read on singleness, and this is written for young single women. It was easy, however, for me as a guy to apply the material to my own situation. Who doesn’t need to let God occupy first place in their lives? If guys follow this approach by not chasing after women and focus on becoming mature in Christ, they will become the kind of men that godly women are seeking.

This is not a how-to-find-someone type of book. It’s the opposite of taking matters into your own hands. You could summarize Leslie Ludy’s perspective in a favorite phrase of Oswald Chambers: Let God engineer. In her words, it is “trusting God to script our love story in His own perfect time, without manipulation on our part.” In a broader context, “This book is about laying down your life for Jesus Christ; surrendering every hope, dream, desire, and ambition to Him. Exchanging your agenda for His. Awakening to His glorious purpose for this sacred season of your life.”

Ludy acknowledges that this self-denying view of singleness is at odds with mainstream culture and even many Christians. She spends the second part of the book using Scripture to demolish “lies” that are floating around Christian circles. She says that “the majority of Christian single young women today are surrounded by messages that encourage them to follow their hearts, take matters into their own hands, and find themselves a husband as quickly as possible.” In marked contrast, she believes the best way to find a marriage partner is to stop hunting for one and instead focus your entire life around Jesus Christ and His priorities. She writes, “God has not called us to build our lives around the pursuit of our own selfish desires, but to be poured-out sacrifices for His kingdom.”

Ludy wants to help young women live full and satisfied lives now, but she is not discouraging women from holding on to the dream of marriage. As she says, most people are meant to be married. It’s a natural, God-given desire. Through her testimony and that of many others in this book, she makes it clear that it’s a mistake to let that desire control our lives and put off present opportunities to serve.

This no-nonsense approach is not only refreshing, but it has the potential to be life-changing and world-altering. The last section of the book provides a wealth of information on how singles can get involved and help change the world.

This is very much in the spirit of Elizabeth Elliot’s Passion and Purity, a classic on relationships. Ludy alludes to Elliott several times, and this is like a modern-day successor. The singular focus on becoming all that God wants us to be make this one of the best single books available. It’s a strong incentive to develop an intimate relationship with Jesus Christ as the best preparation for marriage.

“Prince Song” by the 2nd Chapter of Acts fits so well with the theme of this book. The song exudes the “first love” kind of relationship that Ludy continually advocates. If you are able to find the song, give it a listen, but here are the lyrics:

I got a brand new story though you have heard it a time of two,
About a Prince who kissed a girl right out of the blue.

Hey this story ain’t no tale to me now,
For the Prince of Peace has given me life somehow

You know what I mean.

My sleep is over. I’ve been touched by His fire,
That burns from his eyes and lifts me higher and higher.

I’ll be forever with Him right by my side.
He’s coming again on a white horse He’ll ride.
He’ll clothe me and crown me and make me His bride.

You know what I mean.
You know what I mean.

The song describes the true Prince of many a girl’s dreams. This is the One that Ludy rightly directs young women to have as the object of their supreme love and devotion.

Once Was Lost - Sara Zarr

Found delight in Zarr’s storytelling

Once Was Lost
Author: Sara Zarr
Publisher: Little, Brown and Company
Pages: 217

The small town of Pineview is in a heat wave, and flowers are not the only thing wilting.

Fifteen-year-old Sam is feeling the absence of her mother, who is in rehab after her drinking finally led to an accident. Her dad, a pastor who always seems to have an answer for everyone else, never has the right words for her. Suddenly, the whole town is reeling from a tragedy that no one can explain. It’s like the day after 9/11; nothing will ever be the same.

Sam goes beyond doubting the religious convictions that have always been part of her life. She tells herself, “This is something I’ve never felt before, a total absence of whatever it is that’s made me who I am, on the inside, all my life.” Thoughts like this are a highlight of the book. Sara Zarr gives us the honest, questioning monologue of one who is searching.

The light exploration of spirituality never feels artificial or forced. This pays more attention to story and character development, which makes scattered observations more compelling. I never lost interest, and Zarr kept me guessing.

Thankfully, she leaves sordid events to the imagination, never getting graphic. On the other hand, she interjects a sobering realism that avoids fairytale endings. Sam could see the shadows that were left: “It makes me think of Lazarus. He must have had those shadows, too, after, his miracle. You don’t spend time in the tomb without it changing you, and everyone who was waiting for you to come out.”

This third novel of Sara Zarr’s was the first fiction book that I have read in some time, and this reminded me of the pleasure I have missed.