Behold, Plumb’s first Christmas release, colors a little outside the lines.
Behold EP
Artist: Plumb
Label: Plumb Music
Length: 5 songs/16
minutes
Behold,
Plumb’s first ever Christmas release is a gift for those who enjoy
traditional and religious songs. She also released It’s
Christmas Time EP for some
pop/holiday fun, which is
not part of this review.
Part
of my intrigue with Behold
is the variation not only in the music styles but in the production
within the five songs.
It
begins with “O Holy Night,” which starts softly with gentle piano
playing and singing. Quiet programmed percussion in the background
gives this a more modern feel.
Chains shall he break, for the slave is our brother, And in his name all oppression shall cease
Hearing
the above, made me wonder if this has a connection to the Civil War
conflict. I discovered that this is
the work of Adolphe Adam, a
French composer, in 1847. The music was originally part of a French
poem. The lines predate the
Civil War, but apply to all who have ever been in servitude, whether
literal or spiritual. One day this
reality will be pervasive when God makes everything right. Slavery
and oppression
of every kind will be forever abolished.
Light
orchestration comes
in as the vocal intensity builds to a crescendo. It’s
an elegant rendition of a powerful song.
Lacking
liner notes, my guess is that the first sounds I hear on “The
Christmas Song” are from a xylophone. Though the pairing may seem
ill-suited, it actually blends well with the lounge style heard here.
What’s striking is the guitar solo, which departs from the jazz
sound. The production makes it unusual but not unwelcome.
“‘Behold’
is the angel speaking to us,” Plumb explains in a video, “telling
us what you have been anticipating has come. Here is your king.”
Advent means to anticipate. This season is about celebrating the
fulfillment of Christ’s coming.
The
Jewish people were looking for a deliverer, something along the lines
of a fearless warrior or mighty king. But God gave a baby, “born in
a barn, who was all about love, and that’s exactly what we needed.”
Plumb
says it underscores how anticipation can lead to disappointment when
expectations are not met. But
just as God gave what was truly needed in the form of a child, He can
be trusted to provide what is necessary.
When the answers don’t come easily
And when they’re not what we expect
Help us to trust you even then
In our darkest night
Be the brightest light
The
song starts with rapid alternating keyboard notes punctuated by
piano. It feels wintry. Strings begin a delicate accent. Initially,
the percussion is soft. On the second stanza creative programmed
percussion brings additional heft. Electric guitar adds subtle
texture. It’s a wonder-filled song that could rightly be the
highlight of a performance. I appreciate artists like Plumb, who
bring us something new each season.
It’s
not that I don’t appreciate the classics. Plumb breathes life into
“My Favorite Things” with just orchestra backing. The song took
on new meaning for me one Christmas while working late in a retail
store. That encouragement to remember my favorite things brought me a
little cheer. The apostle Paul takes it further in Philippians 4:8,
where he encourages thinking about what is true, honorable, just,
pure, lovely, commendable, excellent and whatever is worthy of
praise. So “when the dog bites, when the bee stings, when I’m
feeling sad,” focusing on our blessings, which ultimately come from
God can change our outlook. Appreciate Plumb covering a classic that
isn’t often remade.
“Silent
Night/Away in a Manger” is keyboard-driven and accounts for almost
all of the instrumentation in this quiet, relaxed version. The artist
who records as Young Oceans provides a male harmony vocal. It’s a
lovely ending for a fine release.
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