A fascinating mix of sounds adorns an unassuming style
Eye’M All Mixed Up: Remixes
Artist: TobyMac
Label: Forefront Records/Capitol
Length: 11 tracks/43:48 minutes
I never knew booming beats, high tech wizardry and
scratchy noises could sound so good. And this is a remix! What must the
original sound like?
Normally, I think of a remix as a lesser creation, but
hearing Eye’M All Mixed Up by TobyMac
has my head swirling. It’s like stepping onto the dance floor and suddenly the
lights go down, the music drops, and my senses are dazzled.
I’m out of my natural element, but developing an
appreciation for art of the highest caliber, I’m impressed by such a wondrous
blend of synthesized and organic sounds. I could never imagine this back when I
first heard Jesus music. I’m grateful that a Christian artist could become so
relevant to a new generation.
Those accustomed to more conservative fare may not
relate, but for the young and those open to appreciating new ways of
communicating this is entertaining and meaningful.
As TobyMac sings, “It’s always been about the music/Hoping
God would use it to set some people free.” His combination of truth and grace
in an assuming style goes a long way towards that end.
Being a lover of verse, many lines caught my attention.
One of the most dramatic is sung over a sublime quick-tempo beat, “I want to
lose myself, lose myself to find you (repeats)/I don’t care how it sounds/Burn
it all to the ground/Your kingdom I desire” (Lose Myself – Capital Kings
Remix). I appreciate the willingness to endure any cost to gain what matters to
God.
A powerful autobiographical moment relates to concert
performances: “The crowd is calling out/They want the beat to drop/But what we
really need is you.” This mature attitude is also reflected in the chorus: “If
you want to steal my show/I’ll sit back and watch you go/If you got something
to say/Go on and take it away” (Steal My Show – Jack Shocklee Remix). May every
servant of Christ have a likeminded humility.
On “Mac Daddy (Tru’s Reality) (Telemitry Remix)” TobyMac gets
playful and humorous as he recalls a time when he desperately wanted a Mac
computer to begin mixing beats, “I want a Mac/I want a Mac, Daddy/I need a
Mac/Them apples don’t grow on trees.” This world could use more
lightheartedness in music. I applaud this subtle effort.
One of the most refreshing moments comes right after the
opening, high-energy title track, “Cause we all make mistakes sometimes/And we
all step across that line/Nothing sweeter than the day we find, we find
forgiveness” (Forgiveness – feat. Lecrae, Neon Feather Remix). It resonates
because it rings true.
How different the world might be if we started a gentle
revolution along these lines by speaking life to those around us. “Speak life,
speak life to the deadest darkest night/Speak life, speak life when the sun
won’t shine and you don’t why/Look into the eyes of the brokenhearted/Watch
them come alive as soon as you speak life” (Speak Life – Telemitry Remix).
I would say more about the music but words fail to convey
the creativeness. Advances in technology elevate this to a level that did not
exist back in the days when it was mostly organic instrumentation. It’s a little like the leap when Bob Dylan angered his folk music following by going electric.
It shows the power of this means when used with restraint and a pop
sensibility. It’s a fascinating mix of sounds.
My only disappointment, be it ever so slight, is that two
tracks are remixed twice. I favored the first ones over the second ones that
come towards the end.
It’s no wonder that TobyMac has met with so much success
since his former group DC Talk disbanded. He knows what matters most and it’s
obviously not what comes with being a pop star. His faithfulness to calling, as
evidenced here, is as inspiring as the music.
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