Peters is lighthearted, even joyful, as she sings of life
in Christ.
I Choose Jesus
Artist: Moriah Peters (www.moriahpeters.com)
Label: Reunion
Length: 10 tracks/33:44 minutes
I Choose Jesus by
Moriah Peters reminds me of my first love. A faith in Christ that is fresh and
vital energizes these songs.
It makes me think of the mutual need that Christians of
various maturities have for one another. It is good for those who have long
been believers to be reminded by their younger counterparts of the simplicity
that is in Christ. Obedience will always be essential, and these songs are all
about making the right choices. G. K. Chesterton wrote, “The Christian ideal
has not been tried and found wanting; it has been found difficult and left
untried.” The lead adult contemporary single, “I Choose Jesus,” is Peters
affirming her allegiance to Christ despite difficulties.
Where she distinguishes herself is in the notes of whimsy heard
on some tracks. One example is “Sing in the Rain,” which is punctuated by lone
piano chords that alternately strike like large drops of rain falling on a roof.
The mood translates to verse as she begins to sing, “If I could fly like a
bird/Singing songs to the world then I would.” Peters is lighthearted, even
joyful, as she sings of life in Christ.
That’s not to say there are not a few more somber,
challenging moments. “No Shame” is a beautifully understated ballad for the
bruised reed, the smoldering wick, for the one who has fallen and feels
hopeless.
“Glow” has an otherworldly feel. The opening lines draw
attention to a landscape, “So many lights on in this city/The people still walk
in the dark.” The challenge in the chorus is: “We have His light, what are we
waiting for.”
Nine of the ten tracks are written in part by Peters with
help from the likes of Cindy Morgan, Seth Moseley and producer Ed Cash (Chris
Tomlin, Steven Curtis Chapman, Kari Jobe). The musicians are some of the finest
in the industry.
My personal favorite, “Bloom,” is made even better by a lyric video that highlights the hopeful and
encouraging words. It’s a sublime, slightly ethereal combination of verse and
sound. If I had to summarize the thought in three words, it would be in phrases
like: You are beautiful. Keep the faith. Give God time.
This is a fine debut that calls to mind the first release by
an artist that shares some of the same ethnicity (Peters is of Mexican-French
heritage), who has gone on to bloom in her own way. I write of Jaci Velasquez,
who inspired Peters to become a Christian singer. Until she heard Velasquez,
Peters thought she had a “froggy” voice. On the contrary, her sound and style
is reminiscent of her inspiration. She is a winsome combination of purity and
craft.
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