One Sonic Society recognizes that it is better to worship a transcendent
God than to foster the illusion of being a super-group.
Forever Reign
Artist: One Sonic Society (www.onesonicsociety.com)
Label: Essential Worship
Length: 10 tracks/56:50 minutes
I want to call One Sonic Society a modern worship
super-group, but no band in their right mind will want to wear such a label.
When Eric Clapton, Steve Winwood, Ginger Baker and Ric Grech formed Blind Faith,
shortly after the dissolution of the super-group Cream, this new incarnation
was being promoted as such, but the expectations that came with it were a
burden. So even though the three members of One Sonic Society are all
highly-skilled, I won’t weigh them down by attaching an unrealistic title.
Nonetheless, you should know a little of their
background. Jason Ingram is a name that you will often see as a writer,
producer and performer on worship music releases. Of course, Delirious is an
instantly recognizable name to many. Since their disbanding, guitarist Stu G
has been involved in session work, which may have led in part to this
collaboration. Paul Mabury, a native of Australia and one of Nashville’s most
in-demand drummers, rounds out the group.
Even with such exceptional parts, the sum is greater than
the individual talents. It is a sonic joy to hear the rich blend of vocals and
music. Alice Cooper has rightly stated that part of what made musicians like
George Harrison, Jeff Beck, Keith Richards and Ringo Starr great was what they
didn’t play. They play at the right time. Similarly, there is no excess here.
What makes me appreciate Stu G more than ever is not his abandon, but the near
perfect restraint that hears him playing just the right thing. The same could
be said of the others on this recording.
They do not reinvent the genre. They make it their own by
using just enough creativity to make it interesting while keeping it engaging.
There is a definite Euro influence, which occasional has a more industrial
edge. That and the sometimes ethereal base come from the use of programming. It
all makes for a solid collection that I took to immediately and can easily
listen to repeatedly.
The songs often start quietly before becoming anthems. My
spirit soars with group background vocals that give this a live feel, while having
the superior fidelity of a studio release. It is the best of both worlds.
I am not sure how many of the songs count as new ones,
but I suspect that most fall in that category. The writers, in addition to
group members, are some of the best in the business. The only track familiar to
me, “Forever Reign,” was co-written by Ingram. Though there have probably been
numerous versions, here the keyboard notes dance like rain bouncing off a roof.
Stu G’s guitar drives the chorus. It’s one highlight among many.
Modern worship has been criticized and perhaps rightly
for some of the ways it has fallen short. However, those who may be cynical
should remember that it is often inspired by a sincere desire to facilitate an
experience of God’s presence. I listened to this one Saturday near the
beginning of my day and it changed my outlook. Those like my sister, who relish
this type of music, know that just listening can draw one heavenward. I realize
how valuable a recording like this can be, especially for those who may be
prone to depression or feelings of hopelessness.
These highly skilled servants of Christ more than meet
expectations but demonstrate their humility by harnessing their talents in a
way that brings glory to Christ. It’s like they are throwing their crowns
before God’s throne. They wisely recognize that it is better to worship a transcendent
God than to foster the illusion of being a super-group.
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