Personal renewal is a theme on Kaczor’s national debut.
Love Enough
Artist: Laura Kaczor (www.laurakaczor.com)
Label: Universal-Fontana/EMI CMG
Length: 10 songs/40:48 minutes
On Love Enough
by Laura Kaczor (kuh-ZURE) it is quickly apparent that her music is easy to
like, which is no small thing. I am all for artistry, but unbridled creativity can
make for a difficult listen. That is not a problem here. Whether it’s an up-tempo
anthem or an introspective ballad, these are well-crafted songs that are
pleasing to the ears.
Kaczor co-wrote nine out of the ten tracks, which are
animated by an obvious heart of worship. This is not, however, what might be
commonly thought of as a praise and worship recording, though it does include
that element. It tends more toward the singer-songwriter style. Rather than
containing songs for congregational singing, this is an individual extolling
God in the face of brokenness.
“Renew My Life (To Worship)” is a good example. It is
plea for God to restore, a theme that in various forms weaves its way through
much of this recording. A simple but mesmerizing chorus is accented by a male
harmony vocal. The soothing sound draws in the listener making it easy to identify
with the petition.
This contrasts nicely with the two opening songs, which are
full of energy and have monster hooks. Kaczor has a sure voice regardless of
style. It may be the most powerful on slower tunes like the title track, where she
adds weight to the opening lines: “How do I end up where I don’t want to be? /
On the right path but just off a degree / A few bends in the road and before I
know it / I’m miles away from you.” I appreciate the emphasis that even when we
go astray God seeks us. He remains faithful even when we are not.
You find a similar idea on “When Grace Calls You Out,” with
the mellotron-like (think “Strawberry Fields Forever”) sounds that set the
mood. “When grace calls you out into the open / Takes everything that’s broken
/ And makes it beautiful / Step into the light and see if you don’t find /
Healing as the walls come down,” she sings, contrasting emptiness with God’s
sufficiency and suggesting that there is no need to hide or pretend with grace.
“Sacred Bride,” with mid-tempo music and breezy vocals,
bears eloquent testimony to the wonder of this relationship: “You call me
beloved / Your sacred bride / Though I’ve been unfaithful / And I’ve tried to
hide / Your forgiveness is deep / And your mercy is wide / You call me beloved
/ Your sacred bride.” It is a fitting summary near the end of the CD.
Occasionally, the arrangements and production sound a
little dated. This is more evident on the inspirational tracks. It’s less
noticeable on the material that moves toward pop/rock. These faster songs have
youth-oriented appeal but overall this is more adult-contemporary and
inspirational. It’s reminiscent in style and content to Shannon Wexelberg,
Sheila Walsh and Annie Herring.
This is a national debut for Kaczor even though it’s her
third recording. The first two, one being an EP, were independent releases.
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