The Grand Weaver - Ravi Zacharias

Zacharias shows us how to see and experience God’s hand in every situation.

The Grand Weaver: How God Shapes Us Through the Events of Our Lives
Author: Ravi Zacharias
Publisher: Zondervan
Pages: 200

Imagine each area of your life as a thread that God uses to fulfill the design he has in mind for you. "His design for your life pulls together every thread of your existence into a magnificent work of art. Every thread matters and has a specific purpose." Zacharias goes on to remind us that "God holds the threads; you hold the shuttle. Move it at God’s behest, and watch the making of something spectacular."

That’s the purpose of this book: to keep us moving from a threadbare existence to a tapestry that reflects the beauty and glory of God. Zacharias assures that this is God’s ultimate end. "We will be ‘re-created,’ and all the threads of our earthly life will come together for the design that we will experience in heaven. Every tribe, every language, every moment, every pain, every sorrow will come together in the consummate pattern of God’s design."

In each chapter Zacharias unravels specific threads vital to every Christian: uniqueness, disappointments, calling, morality, spirituality, will, worship and destiny. Regardless of the topic, the theme remains the same: "seeing the designing hand of God and his intervention in our lives in such a way that we know he has a specific purpose for each of us and that he will carry us through until we meet him face-to-face and know ourselves completely."

But he asks, "How can you see the divine intersection of all that shapes and marks your existence, whether it be the heart-wrenching tragedies that wound you or the ecstasy of a great delight that brings laughter to your soul? How can you meet God in all your appointments and your disappointments? How can you recognize that he has a purpose, even when all around seems senseless, if not hopeless?"

It begins when we "accept the wonder and marvel of one’s own personality, however flawed or ‘accidental,’ and place it in and trust it to the hands of the One who made it." Zacharias reckons that as one of the greatest achievements in life.

Chapter 2 focuses on three practical steps to make the pattern of God’s work more visible. The first step involves the heart. God looks for tender hearts that He can imprint. The second involves the mind. We must learn to trust that God is in control and believe that He has a purpose for our lives. Last but not least is the importance of the cross. It was said of F. W. Boreham, a man Zacharias considers a primary influence, that regardless of where he started, he made his way to the cross, and that is precisely what Zacharias does here. "How much more can we understand suffering when we see it through the eyes of the One who defines good and evil, comfort and suffering, and who went to the cross to deal with it? Is this not the only way we can understand and cope with our own suffering? We must see the world of pain through the eyes of Jesus, who best understands it not merely as pain but as brokenness and separation."

Though known for his defense of the Christian faith, this book is more devotional than theological. It’s not a doctrinal exposition of the sovereignty of God or a book about finding God’s will for your life. Rather, Zacharias covers the various areas of our life that may need adjustment so that we can see and experience more fully God’s hand fulfilling the unique destiny that He has in mind for us.

He expertly handles a subject that probably few have made so practical. Zacharias makes it personal by sharing stories and insights gained from years of experience. There’s a wealth of wisdom on every page. As is the case with writers like C. S. Lewis, G. K. Chesterton and Malcom Muggeridge (a few favorites of Zacharias), it may take more than one reading to apprehend all the treasures. Christian leaders looking for nourishment or some morsel to pass on to their hungry flocks will find plenty to satisfy themselves and others. Hope is communicated to all.

Zacharias covers so much ground that sometimes the threads of his writing seem to hang together loosely, but he weaves it all together by continually returning to his theme. Some parts are challenging. It’s often illuminating and always encouraging.

This is not Ravi Zacharias the apologist, defending the faith. It’s Ravi Zacharias, serving as a friend, beckoning us onward.

Zacharias is always worth reading, but this may be among his most important books because of the subject matter. What could be more valuable than seeing and experiencing God redeeming every aspect of our broken lives?

The Far Country - Andrew Peterson

Andrew Peterson is one of my favorite artists. I think he's underrated, and I'm not sure why. Maybe it's because he started out with folk-leanings, but his last major release, The Far Country, featured more rock.

After hearing this recording for the first time, my sister commented how much Andrew reminds her of the late Rich Mullins. In the following review, which I wrote shortly after its release, I traced the parallels between Andrew and Rich.

I like the artwork on the album cover.

Andrew Peterson directs our attention from the far country to our home in heaven.

Andrew Peterson makes it easier to bear the loss of Rich Mullins. Since Rich left in a whirlwind and chariot of fire, Andrew may come closer than anyone to catching his mantle. The poetic and whimsical verse, the otherworldly view, the storytelling, and the acoustic rock sound are all here.

It’s what makes The Far Country worth repeated listens. For now we are in the far country, but heaven is our home, and we long for it. The life that awaits us more than makes up for death and loss. This is the theme that emerges.

One song that captures some of this is the "Queen of Iowa." The inspiration came from a woman that was a big fan of Andrew’s music, who was dying of a number of AIDS related illnesses. Her church was generous enough to fly Andrew and Ben Shive out to perform in her living room. Andrew sings of seeing her, "She was as pretty as a flower in a crystal vase that lights up the room as it withers away." Though dying she was more alive than those around her, and Andrew knew that he would never be the same. It’s a touching and beautiful song.

"Lay Me Down," is Andrew’s "Elijah," the song by Rich Mullins that so fittingly eulogized his life. Andrew sings, "When you lay me down to die, I’ll miss my boys, I’ll miss my girls / Lay me down and let me say goodbye to this world / You can lay me anywhere but just remember this, when you lay me down to die, you lay me down to live." It may be somewhat ironic for a song about one’s passing, but the music, which includes some stellar electric guitar, makes me feel more alive. It’s a song that makes you want to sing and dance on the inside if not outwardly.

"Little Boy Heart" has a Bruce Hornsby energy with its sound and piano work. It’s no accident since Andrew acknowledges his admiration for his work. The title conveys a little of the adventure in the lyrics. It’s enough to make one long for a revived sense of childlike exuberance and wonder.

"Mystery of Mercy" features beautiful hammer dulcimer work that would make Rich proud as Andrew asks a somewhat different question, "My God, my God, why hast thou accepted me?"

As a single person who has struggled with relationships, when I read that "For the Love of God" was written for a dear friend, "who was terrible with relationships," it made me want to laugh. The honesty was refreshing. Andrew promised his friend that if he ever married, which seemed unlikely, he would write this song. He says, "What little I know about love between a man and a woman is in this song." It’s a great song that would be a meaningful addition to any wedding.

"More," written with critically-acclaimed folk artist Pierce Pettis, is about heaven and fittingly closes the recording. It’s a masterpiece of pure folk.

I liked the sparseness that I heard on Love and Thunder, Andrew’s previous release, but the slightly fuller sound on this recording is likely to appeal to more people. The music is more cohesive with less fluctuating between the extremes of sparseness and fullness. The electric guitar is a little more prominent, providing more of a rock edge to a few songs. The bluegrass heard on the last recording is absent. Most songs are a blend of mid-tempo folk, pop and rock. The production, musicianship and artistry are all top-notch.

Since I discovered him on his Clear to Venus recording, Andrew Peterson has been one of my favorite artists. If you are unfamiliar with his music, The Far Country is a great place to get to know him.

There will never be another Rich Mullins, but Andrew Peterson directs us toward home in a way that makes it a little easier to live in the far country. This is a look to heaven that alternates between hope, yearning and joy.

Bob Dylan: The Golden Years 1962-1978

This documentary, covering Dylan’s start in music to his conversion to Christianity, brings two DVDs together into one package: Tales from a Golden Age: Bob Dylan 1941-1966 and After the Crash: Bob Dylan 1966-1978.

Interviews with Dylan, more footage of him performing and the use of Dylan’s own music are the only things that could have made this collection better. But since this is an unauthorized documentary, we only get a few seconds of Dylan performing at the Isle of Wight and with Johnny Cash on the second DVD. The background music sounds like Dylan but is not performed by him.

Aside from these minor drawbacks, Dylan’s life and career are fleshed-out by a variety of music critics, friends and fellow musicians. Hailing from the U.K. and U.S. they provide much more than dry analysis. We get warm reminiscing from people who appreciate Dylan’s work. In addition to showing how vital he was in shaping modern music, we see his humanity and the influences that molded him. The critics expertly dissect his every album.

What intrigues me is how much they see. Their work is utterly fascinating. Like prophets they amplify the message of the songs. This is especially helpful when dealing with a person as mysterious as Bob Dylan, who can keep everyone guessing.

The narration, editing and video of this British production are excellent. You don’t have to be a fan to appreciate the production quality and the insightful analysis. Why Dylan would not contribute and authorize these documentaries is a mystery. He’s not portrayed in a negative light, and this serves as a tribute to a productive career that continues to this day.

This leaves you wanting to know the rest of the story. Let’s hope for more installments.

Johnny Cash: The Man, His World, His Music DVD

This DVD shows Johnny Cash during the heyday of his career in the late sixties. I want to say it shows him "in his prime," but that is a matter of debate. Even though he was not at the height of his powers physically, the series of recordings that he did at the end of his life with producer Rick Rubin is among his best work. This production highlights that phase of his career when he and June Carter Cash were riding the wave of hit songs that made him a household name in country music and beyond.

Raw concert performances of a number of those songs, including "Ring of Fire," "Daddy Sings Bass," "Folsom Prison Blues," and "Jackson," are found along with rare recordings of lesser-known songs. This includes a couple of gospel songs and some guest appearances, that include a solo performance by Carl Perkins on "Blue Suede Shoes" and a duet with Bob Dylan. Cash and Dylan clearly warm-up to each other, smiling as the song progresses from opposing microphones. It’s enjoyable throughout the DVD to see a healthy Cash singing in such a strong voice.

Footage of Cash backstage, on the road in a motorhome, and interacting with family and friends is also provided. Cash comes across as a down-to-earth guy who relates well with ordinary people. He doesn’t try to impress, and never postures for the camera. It’s an unadorned look with no narration or graphics.

The music is country with a little bit of folk and gospel. The sound and picture quality is a little more than acceptable, but the content is historic. This is the music that made him famous.
The varied settings—a prison performance, a concert on a reservation, a trip to Wounded Knee, a song sung at home, or in the woods with a wounded crow, provide moving moments in the life of a man, who despite his success was humble and kind to others.

This is a must for the Cash collector and worth exploring for those looking for a mix of documentary and performance from the early life of a music legend.

In an interview on the DVD, Cash says, "Singing seems to help a troubled soul." This DVD provides a glimpse of the many people and the man himself who were helped on their way through the singing of simple songs about everyday life.

Real - Jake Smith

Add Real by Jake Smith to the list of strong debuts on Rocketown Records. Formed in 1996 by Michael W. Smith and Don Donahue, the label has been responsible for the first recordings of Chris Rice, Ginny Owens, Watermark, and Alathea plus some other excellent albums, including Exodus, the worship project that became their best-selling title. This small family-like label has a knack for finding and introducing great talent.

This is equally true on Smith’s impressive offering where he seamlessly fuses a variety of styles (rap, funk, blues, pop, rock, soul) into what the label calls soulful, groove-based pop. It’s an apt description for this New Orleans native who turns tight arrangements, polished production and smooth vocals into a sound of his own that exudes energy and plenty of variety.

"Get Up" the opening song is carried along by a subdued rap that breaks into a joyous chorus that encourages us to get free from what holds us and "get ready for so much more." On "What I Plan to Do," without warning, a shameless piano takes off on a brief excursion through Dixie-land jazz.

In the straight-ahead pop/rock of "Breakdown" Smith addresses a troubled soul: "How can you say it’s better not to speak at all." Holding "it all inside" and saying "you’re fine," when "it’s just pretend." He speaks as a concerned friend when he warns: "You’re headed for a breakdown." The beautiful falsetto and the otherworldly vibe heard on "Run" are reminiscent of Coldplay at their best.

The production combined with excellent vocals and musicianship make it all work together for a cohesive sound.

It’s apparent from the lyrics that Real is full of honest reflections about life from a Christian perspective. The references to God and faith are subtle giving this crossover potential. What makes it rewarding are the optimism and hope that find their way into these songs.

This is a triumph not only for Jake Smith but for Rocketown Records in giving us another great debut.

Stars in the Morning East—A Christmas Meditation

I was glad to discover that Jeff Johnson was releasing another Christmas recording because they are among my favorites of his work. Stars in the Morning East—A Christmas Meditation is the latest in a string of exceptional Christmas offerings that he has either produced or recorded. The list includes, Centerpoint - Poetry & Music for Christmas (1990), The Spirit of the Season (1994), One Wintry Night by Jerry Read Smith & Lisa Maria Smith (1998) and A Quiet Knowing Christmas (2001). As good as the past recordings have been, this surpasses the earlier ones and rivals A Quiet Knowing Christmas.

Stars in the Morning East is similar in sound to its predecessor. Violin, viola, cello, flute, guitar, bass and piano combine with more innovative sounds for a wonderful blend of traditional and contemporary styles. The spotlight is on the acoustic instruments that at times are allowed to stand alone or with minimal support. As usual with Johnson’s recordings, the production is outstanding, providing crystal-clear sound.

Though Johnson’s soaring and sweeping keyboards provide background throughout, it’s a delight to hear his gentle piano playing. Nowhere is that more in evidence than on the hauntingly beautiful "Coventry Carol," which is framed at beginning and end by mournful cello solos.

The recording opens with Barry McGovern’s reading of the poem "A Christmas Childhood," where the recording gets its title. The reading segues into one of two original compositions by Johnson and Dunning. The rest of the tracks consist of a few popular ("Sing, We Now Of Christmas," "Morning Has Broken" and "In The Bleak Midwinter") and a number of lesser-known carols.

As in past efforts, the traditional melodies serve as starting points for delightful musical improvisation. Classical-sounding music seamlessly gives way to creative and energetic hybrids of Celtic, folk and alternative sounds.

Jeff Johnson may be at his best when it comes to instrumental Christmas recordings. His ability to produce music that not only inspires but evokes a sense of childlike wonder, awe and mystery has given us a recording that is worthy of the season. Quite simply, it will be hard to find a more beautiful and artistic Christmas offering.

Because He First Loved Us - Cheri Keaggy

Before we last heard from her on Let’s Fly (2001), Cheri Keaggy had become widely know in Christian circles for adult contemporary and inspirational music. She gained immediate attention through her Charlie Peacock produced debut, Child of the Father (1994). Some of her songs fit the praise and worship format, which led to the release of: There is Joy in the Lord: The Worship Songs of Cheri Keaggy (1999). But aside from the Very Best of Cheri Keaggy in 2006, it’s been a long wait for something new.

Where has she been? "Over the last few years I’ve been marinating in all kinds of stuff, just trying to listen to God’s voice and be obedient, trying to parent intentionally and grow in my relationships," said Keaggy. "The Christian life can be quite an adventure! These songs are pieces … of that."

Because He First Loved Us opens with one of the strongest songs. Inspired by John Bunyan’s The Pilgrim’s Progress, "Stay to the Middle" makes a series of contrasts between fear and faith. "Fear creeps in to keep you frozen / Faith says pray and move ahead / Fear says you will always be broken / Faith knows that broken things can mend." Deliverance is found in keeping to the middle of the path.

The music on this song and some others has a slight alternative or rock edge, which adds to the appeal. Producer Tom Hemby does an excellent job of providing a clean, organic sound with a touch of creativity.

Though this is the first release on her own label, Keaggy keeps to the style that has brought her to this place. Fans of her earlier recordings and adult contemporary pop will enjoy some of her best work.

Cheri wrote all the songs with the exception of Carole King’s "You’ve Got A Friend," which is included as a bonus track. This has always been a great song, and here it’s done as a duet with country singer Marty Roe of Diamond Rio.

Uncle-in-law Phil Keaggy contributes a couple of short guitar solos on "This is the Love." As good as he is, he’s not able though to steal the spotlight from Cheri, the Hemby brothers, and the other fine musicians and contributors, including Tom Howard, who adds strings.

Cheri’s songwriting ability is evident throughout. A good example is found in the piano-driven "Restored (The Grindstone Song)." Though it deals with a weighty subject, it has a light, whimsical feel. "I’ve been living against the grindstone / Where nothing is sure but the Lord / For He gives us the treasures of darkness / Where faith’s greatest riches are stored / And in ways that are quite unexpected / I have learned a most humbling truth / That a faith that has never been tested / Is just growth that is long overdue."

The quiet and beautiful, "The Reason I Stand Tall," marvels at God’s love for us as one of a kind individuals. Her Christian perspective is ever in the forefront and God’s love and grace are a constant theme.

Cheri is blessed with a beautiful voice and is an accomplished songwriter. This is a return to the adult contemporary/inspirational music that has defined her career.