Live Revelations: On Stage Off Stage Back Stage DVD/CD - Third Day

Third Day in context

Live Revelations: On Stage Off Stage Back Stage DVD/CD
Artist: Third Day (http://www.thirdday.com/)
Label: Provident
Length: DVD – Approximately 72 minutes plus bonus material; CD – 9 tracks/35:35 minutes

If context is important in interpreting Scripture, it’s also helpful in getting to know Third Day. Live Revelations follows the concert DVD trend of taking the viewer behind the scenes between song performances.

This documents the fall 2008 Music Builds Tour, which Third Day co-headlined with Switchfoot. It records times and destinations, life on the tour bus, backstage banter before and after concerts, meeting with fans, getting together with family in Atlanta (the band’s hometown), interaction with Nigel James (Tour Pastor), and other events along the way.

Viewers get to follow the band through their days to the stage and off again. One of the most touching moments is hearing the band members talk about their families and seeing how they interact. “Born Again” from Revelation plays not only in the background but also on heartstrings as you see the sacrifices that these families make. Other songs from Revelation serve as background for other segments, so there’s no shortage of music on this DVD.

The majority of the concert songs are from Revelation, but you also get a short, acoustic version of “Cry Out to Jesus,” in which the audience sings along. In addition, Third Day perform the reworked version of “Thief,” originally from their first album, and “I’ve Got a Feeling” and “Rockstar” from Wire.

It’s not until the second half of the DVD, during the Nashville segment, that you have more than one song together. In the previous sections, the pattern is one song followed by a look behind the scenes and then another song. You get three uninterrupted songs in the Nashville sequence.

The performances and technical aspects are all excellent. Robert Randolph makes the only DVD guest appearance on “Otherside.” The flames on the screens in the background are entirely appropriate as Randolph and the band heat it up with passionate playing.

The CD has a couple of songs not found on the DVD. The most interesting is a performance of the old U2 song “When Love Comes to Town,” which brings together Third Day, Robert Randolph, Jars of Clay and Switchfoot.

The sound on the CD is not as clean as I would like, but it may be as close to normal as they could get for a rock concert. The CD serves as a nice extra—the DVD is clearly the main attraction.

The highlight of the bonus material is the music video for “Revelation.” It includes numerous images of what is known as “Salvation Mountain.” Located in the California desert outside of Palm Springs, this is artist Leonard Knight’s visual presentation of the gospel. The cover art (also found on the Revelation CD) is a representation of the mountain. Live performances of “Slow Down” and “Tunnel” are also part of the bonus material.

Third Day rocks on this release but what I appreciate most is the fascinating look into their lives. Viewers will appreciate the authenticity. This is a must-have for Third Day fans and a great way for anyone to get to know the band better.

Then Sings My Soul: 24 Favorite Hymns & Gospel Songs - Ronnie Milsap

Country star shines on first gospel release

Then Sings My Soul: 24 Favorite Hymns & Gospel Songs
Artist: Ronnie Milsap (http://www.ronniemilsap.com/)
Label: Star Song Music
Length: 2 CDs (24 tracks/84:04 minutes)

It was just a matter to time. Country music star Ronnie Milsap knew that he would record a gospel album, he just didn’t know when.

His timing is appropriate. These are difficult days, and there is a comfort in songs that not only highlight gospel truths but also bring back fond memories. These songs have served as the soundtrack for many adults, especially while they were growing up. It would be a mistake though to just associate these songs with sentimental thoughts of the past. Their sometimes simple but timeless revelations still speak to those who have eyes to see and ears to hear.

They made a lasting impression on Milsap when he was only young. After being abandoned by his mother and told that his blindness was a curse from God, he grew up with his grandparents who loved him and took him to church. That was where he first heard songs of faith and discovered that he could memorize music quickly. As an adult, he has sung, “The Old Rugged Cross” for years, but has only now recorded it.

This 2 CD collection has both the popular and the lesser know. Alongside classics like “How Great Thou Art,” “Amazing Grace” and “Holy, Holy, Holy,” you get wonderful versions of “Father Along,” “Peace in the Valley” and “Swing Down Chariot.” There are also three new songs plus the contemporary songs, “Soon and Very Soon,” “Stand By Me” and “People Get Ready.”

The arrangements are reverent with subtle creativity. One refreshing departure is a slowed-down “I’ll Fly Away,” which is graced with a beautiful piano bridge. It breathes new life into an often-recorded song.

The music has a timeless quality that is a hybrid of country, gospel and pop. Milsap is one of country music’s most successful crossover artists into the world of pop. That skill is in evidence here, which gives this broad appeal. You don’t have to be a country music fan to enjoy this.

It’s amazing that his voice is in such fine form and that he sings with such warmth at the age of 66. The renditions are all excellent, and especially beautiful when he sings tenderly.

In an interview with Andy Argyrakis, Milsap expressed his desire for this recording, “I hope that they (gospel audiences) believe what they hear, because it’s real. It’s really me at this time in my life, and I hope they will open their hearts and accept me.” He’s made a believer out of me, and this release ought to be widely-embraced by the Christian community. It’s a feast for lovers of hymns and gospel music. I hope for more recordings like this from this talented artist.

Christianity Beyond Belief: Following Jesus for the Sake of Others - Todd D. Hunter

A call to a larger story

Christianity Beyond Belief: Following Jesus for the Sake of Others
Author: Todd D. Hunter (www.toddhunter.org)
Foreword: Eugene H. Peterson
Publisher: IVP Books (www.ivpbooks.com)
Pages: 199

I did not need to look beyond Todd Hunter’s opening acknowledgements to find something that I could appreciate. His broadmindedness was evident (no small thing) in his claim of indebtedness to viewpoints as diverse as Greg Laurie and Chuck Smith on the one side and John Wimber on the other. Along with others, I have had reservations about the latter’s teachings, but I see in Hunter’s writing a maturity that has drawn from the best of his influences while avoiding the controversial. His gallery of mentors includes Richard Foster, Dallas Willard, Eugene Peterson and N. T. Wright. If you appreciate their teachings and writings, you will enjoy this book.

In the foreword, Eugene Peterson sets the stage for what is to follow: “Story – the Jesus story, the king story, my story – take priority over information and argument in the way we go about following Jesus.” Without denigrating the need for right belief, Hunter emphasizes that Christianity is a way of life. He defines eternal life as “the quality of life derived from and lived within the kingdom of God. It is personal, intimate communion with the Trinity.”

Hunter places the doctrines of sin, forgiveness, heaven and hell within the context of humanity (and creation) being restored to fulfill God’s purposes. This keeps Christianity from being reduced, as it has been in our day, to just a personal relationship with God. This is a much broader view of salvation than just “inviting Jesus into your heart” and escaping hell. He argues that this makes “the forgiveness of sins the sole plot line.”

He sees forgiveness as not the finishing line, but the starting point for “forming a new life, a cooperative friendship with God.” This is one of four pivotal phrases that summarize his understanding of what it means to be a Christian. The following four concepts are unpacked in detail:

1. Cooperative friends of Jesus
2. Living in creative goodness
3. For the sake of others
4. Through the power of the Holy Spirit

The goal in all of this is becoming whole so that we can participate with God in his plans for the world. Heaven is our destination, but not the end. The emphasis is on serving God through living for the benefit of others.

Hunter offers practical examples in a spirit of humility. He takes pains to make the work of the Holy Spirit seem natural rather than something that is controversial and spooky. This is a welcome reminder of what a difference the Spirit’s help can make.

Much of the book seems to be a response to the alarming decline in church membership, the growing hostility to Christianity, and the growing numbers of people who identify themselves as non-religious. Hunter’s thoughts offer a way out of this wilderness. I appreciate his efforts to communicate the Christian faith afresh to an unchurched, post-modern generation. It’s not that he is reinventing what it means to be a Christian. He succeeds in turning our attention to truths that have been neglected.

This book effectively makes the case that it’s not enough to have right belief. As important as that is, it must be accompanied by right practice. For too long those outside the faith have seen little that attracts them to it. They want to see the difference that Christ makes in our living.

A key to making that a reality and implementing the concepts of this book is what Hunter calls Three Is Enough (TIE) groups. The idea is for a group of three people to bind together for the purpose of creatively doing good for the sake of others. While relying on the leading of the Holy Spirit, group members look for opportunities to serve those around them. It can be as easy as just paying attention to people in our environment and being available, so that God can use us in their lives.

TIE groups have a dual nature. They simultaneously focus “on the inward journey of spiritual transformation and the outward journey of serving others.” Hunter provides significant evidence that a group of three is an ideal number. The chapter contains a wealth of practical information and examples on how these groups function.

I was reminded of the need for this type of book in a recent conversation with my sister. She is one of many who identify themselves as Christians but do not affiliate with a church. Having been part of various churches for years, she and her husband can’t relate to what many churches have become. It would be easy for me to be right there with her, since churches are often disappointing.

Authenticity is paramount for my sister. I also prize humility. It’s what many people inside and outside the church want to see. This book is a helpful step in that direction, and in writing it, the author models both of these qualities. He avoids the controversies that divide the church and provides a vision that every Christian can rally behind. He has a heart to see people become genuine Christ-followers, who participate with God in the larger story of fulfilling his plans.

Avalon: The Greatest Hits

One constant in a sea of change

Avalon: The Greatest Hits
Artist: Avalon (http://avalon.sparrowrecords.com)
Label: Sparrow
Length: 16 tracks/73:40 minutes

Avalon is a group that I want to succeed. Despite their past accomplishments, this is not a given. A lot has changed in the music world since their heyday. It’s not only distribution, but boundaries between secular and sacred continue to come down. Advances in technology have produced innovative music and better sounding recordings, but quality craftsmanship is paramount regardless of genre.

Avalon’s recent years have seen a number of personnel changes, and lately, it seems like they have been casting about to find the right songs. Rather than reinventing themselves, it might be wise if the group focused on what has been one of their biggest assets—tight vocal harmonies. If they could combine that with a timeless sound, maybe something a little more organic (the change in Point of Grace comes to mind), and fresh songwriting, they might enjoy a resurgence.

Strong songs have also always been essential given the obvious talent of all the different members and veteran producers like Charlie Peacock and Brown Bannister.

The older songs, which make up the majority of this release, are the strongest, even though they now sound a little dated and cliched. I’m sure that others, like me, miss the presence of Michael Passons, one of the founding members. Songs that feature him are among my favorites.

One of them, “Give It Up,” still moves me with its dreamy soundscape and the unmistakable touch of Charlie Peacock.

This release is a little curious. Testify to Love: The Very Best of Avalon, which came out in 2003, has many of the same songs. One notable omission from this track listing is “Always Have, Always Will.”

This CD has the advantage of including songs from The Creed (2004), Stand (2006), and Faith: A Hymns Collection (2006) but nothing from Another Time, Another Place: Timeless Christian Classics (2008).

One bonus is the inclusion of “Still My God,” a new recording featuring the most recent member, Jeremi Richardson. He sounds great with a voice that reminds me a little of Michael Tait (dc Talk).

As Jana Long, the only remaining original member, says in the liner notes, “One thing has never changed … our desire to sing about Jesus Christ and the difference He has made in our lives.” With that as a focus, and the right songs and production, Avalon can continue to influence others.

A New Hallelujah: The Live Worship DVD - Michael W. Smith

Less emotional but more satisfying

A New Hallelujah – The Live Worship DVD
Artist: Michael W. Smith (http://www.michaelwsmith.com/)
Label: Provident Label Group
Length: Approximately 90 minutes

I will never forget what a friend told me in connection with Michael W. Smith’s (MWS) Worship DVD. After my friend’s dad died, he was alone and isolated. Worship DVD was a lifeline that kept him from getting lost in grief. Over and over again he would watch it with tears in his eyes. It was one of his few sources of consolation.

I remember how moved I was the first time I saw it. The opening segment and song medley are electrifying. A New Hallelujah DVD also has a dramatic opening (something characteristic of Smith’s live performances) but it doesn’t quite reach the same level of excitement.

It was also inspiring on Worship to see and hear 15,000 young people enthusiastically worshipping God on some classic contemporary praise and worship songs. A New Hallelujah is set in a larger venue (Joel Osteen’s church) with a more subdued audience.

MWS set the bar high on that first release. What it lacked technically it made up for in passion. However, in some ways, A New Hallelujah DVD is more satisfying. It’s a little more artistic. Some songs have more depth lyrically and musically, and it’s technically superior as far as the stage, lighting, sound and camera work. For those who are tired of the rapid MTV-style movement often seen in concert videos, this has a welcome relaxed pacing.

One reason the first DVD was such a phenomenon is that some of the songs, though simple, were classics. This DVD comes close to that on songs like "Mighty to Save." Smith is also in fine form on "Deep in Love With You," a signature MWS ballad addressed directly to God. Another highlight is seeing Uganda’s African Children’s Choir sing and dance in their colorful clothing.

It’s hard to replicate a prior experience. It’s best to approach this as something new rather than a continuation of an earlier event. A New Hallelujah may not be as moving, but it is rewarding for those who appreciate excellence.

This DVD will release on March 17, 2009.

(bluebird) EP - Randall Goodgame

A whimsical singer/songwriter balances world-weary sentiment with hope

(bluebird) EP
Artist: Randall Goodgame (http://www.randallgoodgame.com/)
Label: brite entertainment
Length: 6 tracks/23:09 minutes

You may have “heard” Randall Goodgame without realizing it. He’s written 15 songs for Caedmon’s Call and collaborated and sung with Andrew Peterson. In addition, he’s had three previous solo releases. His last, War and Peace (2004), included a three part ode to Charlie Brown. How can you not like someone who writes a song about that loveable loser? It’s indicative of the sometimes-whimsical nature of Goodgame’s songwriting.

On (bluebird) it’s the wistful lines that resonate. On the title song he sings, “Bluebird, bluebird, don’t you fly away. Bluebird, bluebird, don’t stay gone. Sometimes I’m up all night. Sometimes it just takes a bluebird, to write a song.” This is not about one species of our winged friends of the air. It’s a beautiful metaphor for the intense but complicated desire one feels for a lost love. It’s an extraordinary song that has more depth than the common fare about romance.

It’s also a masterpiece of pop. As it builds, every word and sound border on perfection. This and the next two tracks are my favorites. This middle-aged reviewer can relate to the struggle and world-weariness that are heard.

Goodgame’s pensive side is obvious on “All the Years.” “I’ve grown tired of all the years. I can feel my bones grinding down. I used to keep all my fears, but I've grown tired of all the years.” The chorus expresses a yearning for change and security, “Take me away; take me away my love. Can you find me a road I’ve never been on? Take me away; take me away my love. I’m tired. Can you just take me home?”

It’s the combination of longing and hope that make this such a delectable listen. You hear both on “Heaven Waits.” “Heaven waits. Heaven waits. There will be troubled times, but there will come a grace. Heaven waits. Heaven waits.” He longs for the day when he will see his Savior face to face. He imagines that “like a bird flown from the cage, all my questions (will) melt away.”

Musically, what makes this interesting is a subtle shift from the folk and Americana heard on previous releases to indie pop. Quinlan, the producer, adds light programming and fascinating production finishes that give Goodgame a slightly different sound. He has a great supporting cast that includes guitarist Andy Osenga (Caedmon’s Call), and his wife Amy once again provides backing vocals. John Catchings, the celebrated cello player, is part of the occasional strings that are heard.

The new sound is also partly due to an instrument change. Goodgame has gone back to writing with a piano rather than a guitar. He grew up with the piano, and it’s the instrument that he finds the most comfortable.

“If I had forty-two dollars, I would grant myself a loan,” Goodgame sings on the opening of “Jubilee,” the last track. At first I couldn’t comprehend what he meant by these words. Then it dawned on me that Israel’s jubilee every fifty years was the time when debts were forgiven and captives set free. It’s playful and creative way of looking forward to the time when all sorrow and suffering will cease. This is a rousing gospel song that takes a brief but delightful detour into the chorus of “Unclouded Day.” It sounds like Darwin Hobbs on an uncredited guest vocal.

Goodgame spreads his wings on this release and soars high. Grace and hope undergird the realistic perspective on the trials of life. This bird is worth repeated listens.

Steve Bell in concert with the Edmonton Symphony Orchestra DVD

One of Bell’s finest moments

Steve Bell in concert with the Edmonton Symphony Orchestra DVD
Artist: Steve Bell (www.steve-bell.com)
Label: Signpost Music (www.signpostmusic.com)
Length: Seven songs, and short interviews, cover approximately 48 minutes. Bonus content consists of four segments (two music videos plus two short documentaries) that chronicle Bell’s involvement in alleviating poverty.

It’s not every artist that has their songs performed by a symphony orchestra. For Steve Bell, this honor of a lifetime was captured on DVD, when he and a small band played at the Francis Winspear Centre for Music in Edmonton with the Edmonton Symphony Orchestra. Recorded in High Definition and mixed in 5.1 Dolby Surround Sound, this is the next best thing to being there.

As conductor Rei Hotada remembers it, neither artist or orchestra occupied the foreground with the other in the background. This is a collaborative effort where they played as one.

Much of the credit goes to pianist Mike Janzen, who did a superb job of orchestrating a selection of Bell’s best songs. He also shines on those moments when he takes a solo.

The arrangements bring new depth to compositions that were already poetic and beautiful. If you are not among the initiated, Bell is a singer/songwriter along the lines of fellow Canadian, Bruce Cockburn, whom Bell regards as an inspiration. It’s fitting that Bell’s cover of Cockburn’s “Lord of the Starfields” is included. The symphony adds majesty with brass that punctuates and strings that add delicacy.

One minor drawback for some may be the apparent made-for-TV format. You cannot watch the concert without breaks between songs. Some songs may have been cut, which might be one reason for some of the interruptions. Most breaks have Bell, band members and others providing thoughtful reflections. Paul McCartney’s most recent concert DVD was also done with interviews and commentary between songs. This format has the advantage of adding interest and variety and makes watching a concert less tedious. I also like this because it lets me learn more about the artist and the performance.

You only get a little of the dialog and storytelling that Bell is known for during the concert. One delightful exception is the funny story that introduces “Even So.” Performing with an orchestra may have made it best to keeping the talking short.

Of all the songs, the instrumental “Waiting for Aidan,” was ideally suited for orchestra arrangement since it sounds like a show tune. The symphony is broadly engaged here as it is throughout the performance. Again, Janzen deserves a lot of credit for this.

This presentation is capped-off appropriately with “Wellspring/Holy Lord,” which sounds like something right out of Handel’s Messiah. The horns in particular give it that baroque sound. Think of the piccolo trumpet solo in “Penny Lane” by The Beatles and you get an idea of the style. Getting back to the Messiah analogy, it’s almost a wonder that the crowd didn’t rise to their feet. It’s a moving piece of vocals and music.

I’ve had limited exposure to classical music, but it’s not hard for me to applaud the artistry and excellence that you get to see as well as hear. Seeing it performed makes me appreciate the music more.